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as of: 04/19/2024
as of: 04/07/2024
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 "Excuse me, but are you Woman enough to become a Man? Cause I am Man enough to become you?" |
FICTIONMANIAFiction: Something Invented by the Imagination
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Random Reviews
| Audrey, What a fantastic story. I can hardly wait for more. Thank you so much. Bobbie |
| How Did I Get Into This - Part 2 Details |
| Really liked the plot. Good ending and had a good moral of "read the direction" before use. Would like some more in the same context or different if you're in the mood. |
| The Final Costume Details |
| This short story has 'classic' written all over it.%0d%0aHope it gets the exposure it warrants! |
| The Supermarket Details |
| Culex writes: "How about a tale where the husband decides he wants to be feminised, and tricks his wife into making her feminise him? End result is that he gets the lifestyle he wanted all along, while the wife unknowingly ends up as the duped one unwittingly providing "him" with all the luxuries of life." Hmmmm. That could work. Lots of plots I could do, even enjoy doing, don't interest me at the deepest levels. But this one maybe. It denies me the pleasures of femdom, but maybe not necessarily. Hmmmm. Yes there's a certain sameness. The common denominator of all my stories is, a man -- sometimes a young man, a few times a boy -- deliberately participates in his own feminizing because of the persuasive wiles of a woman. That much will happen every time, though I hope each time in different ways and for different reasons, with different sly sequences of revelation of the true state of affairs to both the character and the reader (preferably with a twist in the tail of the tale). This because, as I've said before, my stories as I understand them are an externalizing into character and narrative of my own inner conflicts (the literary historians call this a "psychomachia"), between certain feminizing impulses I feel within myself, their cunning and their casuistry, and at the same time a certain masculine sense of their conceivable consequences if yielded to. Thus the stories are always triumphantly femdom, but the man doesn't necessarily see himself as that bad off when he surveys where he's ended up. And as even in my first ("Jack and Jill"), the woman may well get something other than she bargained for. This kind of fantasy tends to be a delightful and fearful, sometimes erotically charged condition of my own everyday consciousness. I suspect readers respond to it for similar reasons -- it gives elements of their own inner desires and conflicts a local habitation and a name, and also a fulfillment in fantasy for better or worse, at no actual cost. In that sense it's like sex, bound to be repetitious, with the climax and aftermath known yet desired nevertheless. My fun comes in its variations -- in the characters' motives, the specificities of the scheming, in the rationalizations offered and accepted, the "real" though concealed reasons for the action, and so on. And in the art -- the language and sensibilities of the different narrative voices of different kinds of characters, the structuring of scenes and revelations (and even of individual sentences, at least the trying to avoid cliches if I can't find fresh phrasings or appropriate rhythms), and the sustaining of plausibility, vague verisimilitude at least if not -- or hardly ever -- possibility or probability. What the stories are, where they come from, can be vatic, mysterious in its inspiration -- I can understand why the Greeks believed that the Muses dictate them. But every writer's responsible for how the story's told, whatever it is. Some writers do some of these things better, some a lot better. I envy them, learn what I can from them, do what I can, and post a story when I find I can't do better than I've done. The whole process is self-gratifying mainly, so I indulge what most pleases me, occasionally what challenges because somewhat different or difficult. I nevertheless like to think I'm giving something back to the community that I have previously taken from it with great pleasure, and I especially appreciate that enough other people think so. I read all criticisms with care, praise and blame, and am grateful -- if sometimes also depressed -- that readers trouble to write them. They can have some effect even on the fantasy worlds I'm creating -- I write to please myself, but any story's future life once it's posted is in the minds of its readers. Usually my next story's already under way and committed, but reader comments all get tried on for imaginative fit. I don't do sci-fi or magical instant conversions, for example, because the processes of conversion -- especially the processes of deception and self-deception -- are what most fascinate me. But repeated criticisms -- as for example with reader dislike of the nasty as well as (always) self-justified women of my earlier stories -- can make me aware that enough is enough already. It's like sending kids out into the world -- you've created and reared them, and you hope you've done right by them, and you know they can't be all things to all people, but you hope they're enough things to the right sort, and you know that anyhow, like it or not you have to let them live their own lives. Some you may view later on with a touch of shame, but for most of them -- you hope -- you can feel a certain justified pride of authorship. I'm appalled I've already done so many (how stories fly when you're having fun). But I'm deeply gratified that people like them well enough to read them whatever their own purposes, pleasures, or dissatisfactions. So, thank you. More forthcoming. I hope. |
| Be Like Me Details |
| Bella Fan: The sequel to the story, It's Not What's Wrong, It's What's Right, is basically that. |
| The Checkout Girl Details |
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